Tuesday, December 09, 2008

The Man Who Heard Voices

Ok. I am fascinated by artists who wear their emotions on their sleeve, because, let's face it, I'm one of them.



This book is a play-by-play record of Night's creation of the movie "Lady in the Water". As such, it offers the best exposition of creative angst I've experienced since "Adaptation", a movie by Charlie Kaufman.



Every artist who struggles with creating should read this book. It's a reminder that no matter how hard you work, your message may just be too personal to attract a large audience.



After reading this book, I went out and watched "Lady" for the second time. Despite all the insights from the book, which certainly gave me an appreciation for the movie, it still didn't gel into an emotional whole. I tried really hard to "get it", and intellectually could do so, but my heart wasn't in the total picture.



As an artist, I realize that this may happen. It is one reasons why people disagree on aesthetic issues so often. Because art usually seeks a gut response, our guts often disagree. But one thing is sure: Night is a hard working craftsman who isn't afraid to make the kind of movie he wants to make.

My hat is off to those who try to live on the fickleness of the buying public. Night probably realizes that even the most sincere of us consumers don't always know what we like, and that it changes from day to day.



Despite that, he works his soul off to present his vision.







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